Film Canister USB Drives Hold More Pictures Than They Did As Film Canisters
by Devin Coldewey on April 18, 2011
Everyone likes a good novelty flash drive, as long as it’s the right kind of novelty. Photographers will enjoy these little 35mm film canisters converted into 2GB and 4GB drives — at $19 and $24 they’re not too expensive, and there’s a choice of many different film types, so you can pick one he or she might have actually used.
Rick Young of MacVideo.TV interviewed me at the Final Cut SuperMeet after the announcement of Final Cut X. I am in the second video. Go to his MacVideo.TV to see the Interview. It was great meeting Rick at the show and MacVideo.TV has great information about shooting video. I am holding the rig I used to interview people at their booths. (My rig consisted of a Cam Caddie Scorpion, a Hoodloupe 3.0 with a Hoodstrap and an Audio-technica ATR55 Telemike plugged directly in to my Canon 60D.)
LinkyFocus is a new USB follow focus under development. I did not see this at NAB. I did see a lot of motorized follow focuses. I always thought, why not use the focus motor in the lens? Looks promising.
From their site:
“The LinkyFocus uses the autofocus motor in Canon lenses to control focus, even while recording video. LinkyFocus is different: driven by an electronic position encoder, it allows to make fine adjustments of focus while rotating slowly the knob, or rotating faster automatically switch on the fly to the other two available speeds. This compact system works in any LiveView modes, which can be useful for film making. On the unit are available up to 10 push buttons to start/stop the recording and for other features. Can be used as remote control for a camera mounted on a crane or jib, can work with normal USB extension cables up to 25 meters in length.”
I am finally home after three exciting days of NAB. Over the next weeks I will share quite a few video interviews with some of the booths that I visited. Here I am at the Hoodman Booth. For those I met at the show, It was wonderful to meet you and I hope you enjoy the blog about our experiences.
I am holding the rig I used to interview people at their booths. (My rig consisted of a Cam Caddie Scorpion, a Hoodloupe 3.0 with a Hoodstrap and an Audio-technica ATR55 Telemike plugged directly in to my Canon 60D.)
At the sold out Supermeet tonight, after a long wait in line outside black curtains in the Ballly Convention Center, we all sat down for an expected evening. A lot of the rumors around the net were true. Tonight Apple's Peter Steinauer announced Final Cut Pro X.
FCPX has been rebuilt from the ground up. It has an all new 64bit engine, hyper threading, rendering in the background, no transcoding and 4K support. It is a lot faster because of this. Also the timeline has been completely redesigned to make editing easier.
FCP's original creator Randy Ubillos was on hand to demonstrate to the audience in real-time the new Final Cut Pro experience without many hiccups of his beta version.
At long last there is no need to transcode footage. All footage, whether ProRes, DSLR H264 or AVCHD drops straight into the project and is available to edit immediately. Final Cut Pro X allows you to begin editing footage on the timeline before it has finished ingesting. This will be greatly appreciated by HDSLR users.
Media management has been much improved. The intelligent detection of footage allows automatic grouping of clips to form scenes together in the media manager for easier access to media in an ordered fashion, according to the project. This is really great – so much better than the basic project management in current NLEs with their crappy bins and tiny thumbnails. There is also a Filmstrip View of clips allowing you to identify and find shots quickly.
Timeline intelligence has been improved. A key area. Apple dubs this a Magnetic Timeline. For example audio clips move out of the way if extended into the edges of other clips. It's faster to use and harder to accidentally stuff up. There are no real video or audio tracks – it is more liquid now, with clip tracks appearing automatically as and when they are required. The Instant Color Matching is also a wonderful new feature. Color grading at the single click of a mouse on the timeline.
After having many flavors of FCP, there will only one. Final Cut Pro X will be available in June for $299 from the Apple App Store online. No mention of the other apps in the Final Cut Suite. Looks like Apple has unbundled the suite like they did with iLife and iWork.
We will have a video of the presentation soon. Stay Tuned.